|
|
|
|
| Roedy Black Publishing Inc. (Since 1987) Customer Service and Sales: 1-888-228-8181 | ||
| © 1987 - 2006 Roedy Black Publishing Inc. All rights reserved. | ||
|
||
|
|
Abbott, B. 1995. Thinking without English. Behavior and Philosophy, 23, 47-52. Abraham, C. 2005. Race. The Globe and Mail, June 18. Albini, S. 1993. The problem with music. Baffler, 5. Alexander, G. M., & Hines, M. 2002. Sex differences in responses to children's toys in a non-human primate (Cercopithecus aethiops sabaeus). Evolution and Human Behavior, 23, 467-479. Altenmuller, E. O. 2003. How many music centres are in the brain? In Peretz & Zatorre, 2003. Andersson, J. O., & Roger, A. J. 2003. Evolution of glutamate dehydrogenase genes: Evidence for lateral gene transfer within and between prokaryotes and eukaryotes. BMC Evolutionary Biology, 3, 14. Argamon, S., Koppel, M., Fine, J., & Shimoni, A. R. 2003. Gender, genre, and writing style in formal written texts. Text, 23, 321-346. Arom, S. 2000. Prolegomena to a biomusicology. In Wallin, Merker, & Brown, 2000. Atkinson, W. I. 2001. Prototype: How Canadian innovation is shaping the future. Toronto: Thomas Allen Publishers. Avalon, M. 2002. Confessions of a record producer: How to survive the scams and shams of the music business. 2nd ed. London: Backbeat Books. Ayotte, J., Peretz, I., & Hyde, K. 2002. Congenital amusia: A group study of adults afflicted with a music-specific disorder. Brain, 125, 238-251. Babcock, L., & Laschever, S. 2003. Women don't ask: Negotiation and the gender divide. Princeton: Princeton University Press. Babcock, L., Laschever, S., Gelfand, M., & Small, D. 2003. Nice girls don't ask. Harvard Business Review, October 1. Bachorowski, J. A., & Owren, M. J. 1995. Vocal expression of emotion: Acoustic properties of speech are associated with emotional intensity and context. Psychological Science, 6, 219-224. Bailey, D. 1993. Improvisation: It's nature and practice in music. New York: Da Capo Press. Baines, A. 1976. Brass instruments: Their history and development. London: Faber & Faber. Bakan, J. 2004. The corporation: The pathological pursuit of profit and power. Toronto: Viking. Baker, B. 2001. Guerrilla music marketing handbook: 201 self-promotion ideas for songwriters, musicians & bands. St. Louis: Spotlight Publications. Baker, S. 1981. The practical sylist. 5th ed. New York: Harper & Row. Balaban, M. T., Anderson, L. M., & Wisniewski, A. B. 1998. Lateral asymmetries in infant melody perception. Developmental Psychology, 34, 39-48. Barash, D. P., & Barash, N. R. 2005. Madame Bovary's ovaries: A Darwinian look at literature. New York: Delacorte Press. Barkow, J. H. 1992. Beneath new culture is old psychology: Gossip and social stratification. In Barkow, Cosmides, & Tooby, 1992. Barkow, J. H., Cosmides, L., & Tooby, J. (Eds.) 1992. The adapted mind: Evolutionary psychology and the generation of culture. New York: Oxford University Press. Baron-Cohen, S. 2003. The essential difference: The truth about the male and female brain. New York: Basic Books. Barrett, M. D., Chiaverini, J., Schaetz, T., Britton, J., Itano, W. M., Jost, J. D., Knill, E., Langer, C., Leibfried, D., Ozeri, R., & Wineland, D. J. 2004. Deterministic quantum teleportation of atomic qubits. Nature, 429, 737-739. Barry, D. 1997. Dave Barry's book of bad songs. Kansas City, Missouri; Andrews McMeel Publishing. Bebey, F. 1969. African music: A people's art. Westport, Conn.: Lawrence Hill & Co. Becker, J. 2001. Anthropological perspectives on music and emotion. In Juslin & Sloboda, 2001. Beeli, G., Esslen, M., & Jancke, L. 2005. Synaesthesia: When coloured sounds taste sweet. Nature, 434, 38. Belleville, N. 2000. Booking, promoting and marketing your music. Emeryville, Calif.: MixBooks. Bendor, D., & Wang, X. 2005. The neuronal representation of pitch in primate auditory cortex. Nature, 436, 1161-1165 Berlyne, D. E. 1971. Aesthetics and psychobiology. New York: Appleton-Century-Crofts. Bernstein, L. 1976. The unanswered question. Cambridge, Mass.: Harvard University Press. Berreby, D. 2005. Deceit of the raven. New York Times Magazine, September 5. Bessler, I. (Ed.) Annual. Songwriter's market. Cincinnati: Writer's Digest Books. Besson, M., & Schon, D. 2003. Comparison between music and language. In Peretz & Zatorre, 2003. Bickerton, D. 2000. Can biomusicology learn from language evolution studies? In Wallin, Merker, & Brown, 2000. Blackmore, S. 1999. The meme machine. Oxford: Oxford University Press. Blood, A. J., & Zatorre, R. J. 2001. Intensely pleasurable responses to music correlate with activity in brain regions implicated in reward and emotion. Proceedings of the National Academy of Sciences, 98, 11818-11823. Bloom, P. 2004. Behavior: Can a dog learn a word? Science, 304, 1605-1606. Blume, J. 2004. 6 steps to songwriting success: The comprehensive guide to writing and marketing hit songs. New York: Billboard Books. Boutla, M., Supalla, T., Newport, E. L., & Bevelier, D. 2004. Short-term memory span: Insights from sign language. Nature Neuroscience, 7, 997-1002. Boyer, H. C. 1995. How sweet the sound: The golden age of gospel. Washington, DC: Elliott & Clark Publishing. Boynton, R. S. 2004. The tyranny of copyright? New York Times Magazine, January 25. Braheny, J. 1982. The ASF songwriter's handbook. Los Angeles: American Song Festival. Braheny, J. 2002. The craft and business of songwriting. 2nd ed. Cincinnati: Writer's Digest Books. Bramble, D. M., & Lieberman, D. E. 2004. Endurance running and the evolution of Homo. Nature, 432, 345-352. Brand, O. 1962. The ballad mongers: Rise of the modern folk song. New York: Funk & Wagnalls. Brennan, S. T., Lowenstein, T. K., & Horita, J. 2004. Seawater chemistry and the advent of biocalcification. Geology, 32, 473-476. Broughton, F., & Brewster, B. 2003. How to dj right: The art and science of playing records. New York: Grove Press. Brown, D. E. 1991. Human universals. New York: McGraw-Hill. Brown, P., Sutikna, T., Morwood, M. J., Soejono, R. P., Jatmiko, Saptomo, E. W., & Due, R. E. 2004. A new small-bodied hominin from the late Pleistocene of Flores, Indonesia. Nature, 431, 1055-1061. Brown, S. 2000. The "musilanguage" model of music evolution. In Wallin, Merker, & Brown, 2000. Brown, S., Merker, B., & Wallin, N. L. 2000. An introduction to evolutionary musicology. In Wallin, Merker, & Brown, 2000. Brumfiel, G. 2005. Who has designs on your students' minds? Nature, 434, 1062-1065. Brunet, M., Guy, F., Pilbeam, D., Lieberman, D. E., Likius, A., MacKaye, H. T., Ponce de Leon, M. S., Zollikofer, C. P. E., & Vignaud, P. 2005. New material of the earliest hominid from the upper Miocene of Chad. Nature, 434, 752-755. Brust, J. C. M. 2003. Music and the neurologist: A historical perspective. In Peretz & Zatorre, 2003. Bryson, B. 2003. A short history of nearly everything. New York: Doubleday. Bukofzer, M. F., 1947. Music in the Baroque era: From Monteverdi to Bach. New York: Norton. Buller, D. J. 2005. Adapting minds: Evolutionary psychology and the persistent quest for human nature. Cambridge, Mass.: MIT Press. Bunt, L., & Pavlicevic, M. 2001. Music and emotion: Perspectives from music therapy. In Juslin & Sloboda, 2001. Button, D. C., Behm, D. G., & Holmes, M. 2004. Contractile activity and noise impair simple and complex vigilance tasks. Report prepared for the RAC Foundation for Motoring by the School of Human Kinetics and Recreation, Memorial University of Newfoundland. Byrdson, J. C. 1973. The composition of melody. London: Bosworth. Callahan, M. 2004. The trouble with music. Oakland, Calif.: AK Press. Cannold, L. 2005. What, no baby? Why women have lost the freedom to mother and how they can get it back. Fremantle, Western Australia: Freemantle Arts Center Press. Carroll, D. L. 1995. A manual of writer's tricks. 2nd ed. New York: Marlowe. Carroll, N. 1997. Dancing with lawyers: How to get better results for less money. Toronto: Random House. Chapman, K. J. 2004. Academic integrity in the business school environment: I'll get by with a little help from my friends. Journal of Marketing Education, 26, 236-249. Chapman, R. M., McCrary, J. W., Chapman, J. A., & Martin, J.K. 1980. Behavioral and neural analyses of connotative meaning: Word classes and rating scales. Brain and Language, 11, 319-339. Chase, W. 1987. Roedy Black's complete keyboard chord poster. 2nd ed. Vancouver: Roedy Black Publishing. Chase, W. 1987/2003. Roedy Black's complete guitar chord poster. 3rd ed. Vancouver: Roedy Black Publishing. Chase, W. 1989/1995. Roedy Black's guitar & keyboard scales poster. 2nd ed. Vancouver: Roedy Black Publishing. Chase, W. 1990/1995. Roedy Black's musical instruments poster. 2nd ed. Vancouver: Roedy Black Publishing. Chase, W. 2002. Roedy Black's chord progression chart. Vancouver: Roedy Black Publishing. Chen, M. K., Lakshminarayanan, V., & Santos, L. 2005. The evolution of our preferences: Evidence from capuchin-monkey trading behavor. Yale University, working paper, July. Chimpanzee Sequencing and Analysis Consortium. 2005. Initial sequence of the chimpanzee genome and comparison with the human genome. Nature, 437, 69-87. Chomsky, N. 1957/2002. Syntactic structures. 2nd Ed. Berlin: Mouton de Gruyter. Chomsky, N. 1965. Aspects of the theory of syntax. Cambridge, Mass.: MIT Press. Chomsky, N. 1972. Language and mind. Enl. ed. New York: Harcourt Brace Jovanovich. Citron, S. 1985. Songwriting: A complete guide to the craft. New York: Limelight Editions. Clark, C. W., & Clapham, P. J. 2004. Acoustic monitoring on a humpback whale (Megaptera novaeangliae) feeding ground shows continual singing into late spring. Proceedings of the Royal Society Biological Sciences, 271, 1051-1057. Clark, D. A., Mitra, P. P., & Wang, S. S-H. 2001. Scalable architecture in mammalian brains. Nature, 411, 189-193. Clarke, D. 1995. The rise and fall of popular music. New York: Penguin. Clarke, E. F. 1988. Generative principles in music performance. In Sloboda, 1988. Clift, S. M., & Hancox, G. 2001. The perceived benefits of singing: findings from preliminary surveys of a university college choral society. Journal of the Royal Society of Health, 121, 248-256. Cloonan, M. 2003. Censorship. In Shepherd, Horn, Laing, Oliver, & Wicke, Vol. 1, 2003, pp. 168-172. Cohen, A. J. 2001. Music as a source of emotion in film. In Juslin & Sloboda, 2001. Collins, M. 1988. Lightfoot: If you could read his mind. Toronto: Daneau. Connolly, K. 2004. Strings want more brass for extra notes. The Telegraph, March 24, 2004. Cook, N., & Dibben, N. 2001. Musicological approaches to emotion. In Juslin & Sloboda, 2001. Cooke, D. 1959. The language of music. Oxford: Oxford University Press. Cooper, P. 1974. Perspectives in music theory: An historical-analytical approach. New York: Dodd, Mead. Copland, A. 1957. What to listen for in music. New York: McGraw-Hill. Costello, E., et al. 2004. The immortals: The 50 greatest artists of all time. Rolling Stone, April 15. Cottrell, C. A., & Neuberg, S. L. 2005. Different emotional reactions to different groups: A sociofunctional threat-based approach to "prejudice." Journal of Personality and Social Psychology, 88, 770-789. Cramer, J. G. 2001. Boomerang and the sound of the Big Bang. Analog, January. Crick, F. 1981. Life itself: Its origin and nature. New York: Simon & Schuster. Crick, F., & Koch, C. 2002. The problem of consciousness. Scientific American, 12, 10-17. Cross, I. 2003. Music, cognition, culture, and evolution. In Peretz & Zatorre, 2003. Crystal, D. 1995. The Cambridge encyclopedia of the English language. Cambridge: Cambridge University Press. Currie, P. 2004. Human genetics: Muscling in on hominid evolution. Nature, 428, 373-374. Dallin, L. 1964. Techniques of twentieth century composition. 2nd ed. Dubuque, IA: William C. Brown Company. Damasio, A. R. 1994. Descartes' error: Emotion, reason, and the human brain. New York: Putnam. Damasio, A. R. 2002. How the brain creates the mind. Scientific American, 12, 4-9. Darwin, C. 1859/1991. On the origin of species. Buffalo: Prometheus. Darwin, C. 1872/1998. The expression of the emotions in man and animals. 3rd ed. New York: Oxford University Press. Davie, C. T. 1966. Musical structure and design. New York: Dover Publications. Davies, J. B. 1978. The psychology of music. Stanford: Stanford University Press. Davis, C., & Wellwerth, J. 1975. Clive: Inside the record business. New York: William Morrow. Dawkins, R. 1976/1989. The selfish gene. New edition. New York: Oxford University Press. Dawkins, R. 1986. The blind watchmaker: Why the evidence of evolution reveals a universe without design. New York: Norton. Dawkins, R. 1995. River out of Eden: A Darwinian view of life. New York: Basic Books. Dawkins, R. 2004. The ancestor's tale: A pilgrimage to the dawn of life. London: Weidenfeld & Nicolson. Deaner, R. O., Khera, A. V., & Platt, M. L. 2005. Monkeys pay per view: Adaptive valuation of social images by rhesus macaques. Current Biology, 15, 543-548. De Bourdeaudhuij, I., Crombez, G., Deforche, B., Vinaimont, F., Debode, P., & Bouckaert, J. 2002. Effects of distraction on treadmill running time in severely obese children and adolescents. International Journal of Obesity and Related Metabolic Disorders, 26, 1023-1029. De Waal, F. 2005. Our inner ape: A leading primatologist explains why we are who we are. New York: Riverhead Books. Delamont, G. 1965. Modern arranging technique. New York: Kendor Music. Denizet-Lewis, B. 2004. Friends, friends with benefits and the benefits of the local mall. New York Times Magazine, May 30. Dennett, D. C. 1991. Consciousness explained. Boston: Little Brown. Dennett, D. C. 1995. Darwin's dangerous idea: Evolution and the meanings of life. New York: Simon & Schuster. Deutsch, D. 1997. The fabric of reality: The science of parallel universes and its implications. New York: Penguin. Deutsch, D. (Ed.) 1999. The psychology of music. 2nd ed. San Diego: Academic Press. Diagram Group 1976. Musical instruments of the world. New York: Facts on File. Diamond, J. 1999. Guns, germs, and steel: The fates of human societies. New York: Norton. DiLello, R. 1983. The longest cocktail party. Ann Arbor: Pierian Press. Dissanayake, E. 1988. What is art for? Seattle: University of Washington Press. Dissanayake, E. 1990. Music as a human behavior: An hypothesis of evolutionary origin and function. Paper presented at the annual meeting of the Human Behavior and Evolution Society, August 16. Dissanayake, E. 1992. Homo aestheticus: Where art comes from and why. New York: Free Press. Dissanayake, E. 2000. Antecedents of the temporal arts in early mother-infant interaction. In Wallin, Merker, & Brown, 2000. Donovan, P. 2000. Zubrow analyses "music of the spears": Tunes tapped out on stone tools suggest more social Paleolithic man than earlier assumed. University of Buffalo Reporter, November 30. Drake, C., & Bertrand, D. 2003. The quest for universals in temporal processing in music. In Peretz & Zatorre, 2003. Dukes, R. L., Bisel, T. M., Borega, K. N., Lobato, E. A., & Owens, M. D. 2003. Expressions of love, sex, and hurt in popular songs: A content analysis of all-time greatest hits. Social Science Journal, 40, 643-650. Dunbar, R. I. M. 1997. Grooming, gossip, and the evolution of language. Cambridge, Mass: Harvard University Press. Dunbar, R. I. M. 1998. The social brain hypothesis. Evolutionary Anthropology, 6, 178-190. Dylan, B. 2004. Chronicles, Vol. 1. New York: Simon & Schuster. Easton, S. T. 2004. Marijuana growth in British Columbia. Public Policy Sources, 73 (a Fraser Institute occasional paper). Edlund, M. 2004. Hip-hop's crossover to the adult aisle. New York Times, March 7. Einstein, A. 1954. A short history of music. New York: Knopf. Enard, W., Przeworski, M., Fisher, S. E., Lai, C. S. L., Wiebe, V, Kitano, T., Monaco, A. P., & Paabo, S. 2002. Molecular evolution of FOXP2, a gene involved in speech and language. Nature, 418, 869-872. Engle, S. 1999. Context is everything: The nature of memory. New York: W. H. Freeman. Erickson, R. 1955. The structure of music: A listener's guide. New York: Noonday Press. Evans, P. D., Gilbert, S. L., Mekel-Bobrov, N., Vallender, E. J., Anderson, J. R., Vaez-Azizi, L. M., Tishkoff, S. A., Hudson, R. R., & Lahn, B. T. 2005. Microcephalin, a gene regulating brain size, continues to evolve in humans. Science, 309, 1717-1720. Evenson, B. 2003. Why we can't get that song out of our heads: With rare exceptions, the brain has a deep affinity for music. National Post, 7 July. Ewen, D. 1964. The life and death of Tin Pan Alley: The golden age of American popular music. New York: Funk and Wagnalls. Ewen, D. 1970. Great men of American popular song. Englewood Cliffs, N. J.: Prentice-Hall. Fabian, A. C., Sanders, J. S., Allen, S. W., Crawford, C. S., Iwasawa, K., Johnstone, R. M., Schmidt, R. W., & Taylor, G. B. 2003. A deep Chandra observation of the Perseus cluster: Shocks and ripples. Monthly Notices of the Royal Astronomical Society, 344, L43-L47. Falk, D. 2000. Hominid brain evolution and the origins of music. In Wallin, Merker, & Brown, 2000. Falk, D., Hildebolt, C., Smith, K., Morwood, M. J., Sutikna, T., Jatmiko, Saptomo, E. W., Brunsden, B., & Prior, F. 2005. The brain of LB1, Homo floresiensis. Science, DOI: 10.1126/science.1109727. Federman, M., & de Kerckhove, D. 2003. McLuhan for managers: New tools for new thinking. Toronto: Viking. Fenn, K. M., Nusbaum, H. C., & Margoliash, D. 2003. Consolidation during sleep of perceptual learning of spoken language. Nature, 425, 614-616. Fernald, A. 1992. Human maternal vocalizations to infants as biologically relevant signals: An evolutionary perspective. In Barkow, Cosmides, & Tooby, 1992. Fetherling, D. 1991. Some day soon: Essays on Canadian songwriters. Kingston, ON: Quarry Press. Fisher, R. A. 1930. The genetical theory of natural selection. Oxford: Clarendon Press. Flanagan, B. 1987. Written in my soul: Conversations with rock's greatest songwriters. Chicago: Contemporary Books. Flesch, R. 1946. The art of plain talk. New York: Harper & Row. Flesch, R. 1949. The art of readable writing. New York: Harper & Row. Flesch, R. 1951. The art of clear thinking. New York: Harper & Row. Flesch, R., & Lass, A. H. 1947/1963. A new guide to better writing. New York: Harper & Row. Fodor, J. A. 1975. The language of thought. New York: Crowell. Fodor, J. A. 1983. The modularity of mind. Cambridge, Mass.: MIT Press. Fodor, J. A. 2001. The mind doesn't work that way: The scope and limits of computational psychology. Cambridge, Mass.: MIT Press. Francis, D. 2003. We haven't come that far after all. National Post, November 1. Fraser, M. 2003. Weapons of mass distraction: Soft power and American empire. Toronto: Key Porter. Frayer, D. W., & Nicolay, C. 2000. Fossil evidence for the origin of speech sounds. In Wallin, Merker, & Brown, 2000. Freeman, B. 2001. Buzz your mp3. New York: Pigeonhole Press. Freeman, W. 2000. A neurobiological role of music in social bonding. In Wallin, Merker, & Brown, 2000. Frey, W. H. 1985. Crying: The mystery of tears. Minneapolis: Winston Press. Friedwald, W. 1990. Jazz singing: America's great voices from Bessie Smith to bebop and beyond. New York: Charles Scribner's Sons. Friedwald, W. 2002. Stardust melodies: The biography of twelve of America's most popular songs. New York: Pantheon. Frye, N. 1963. The educated imagination. Toronto: CBC. Gabrielsson, A. 1973. Adjective ratings and dimension analyses of auditory rhythm patterns. Scandinavian Journal of Psychology, 14, 244-260. Gabrielsson, A., & Lindstrom, E. 2001. The influence of musical structure on emotional expression. In Juslin & Sloboda, 2001. Galper, H. 2000. The touring musician: A small business approach to booking your band on the road. New York: Billboard Books. Gammond, P. 1971. One man's music. London: Wolfe Publishing. Gammond, P. 1991. The Oxford companion to popular music. New York: Oxford University Press. Gardner, H. 1983. Frames of mind: The theory of multiple intelligences. New York: Basic Books. Gardner, H. 1985. The mind's new science: A history of the cognitive revolution. New York: Basic Books. Gardner, H. 1999. Intelligence reframed: Multiple intelligences for the 21st century. New York: Basic Books. Gazzaniga, M. S. 1988. Mind matters: How mind and brain interact to create our conscious lives. Boston: Houghton Mifflin. Gazzaniga, M. S. 1998. The mind's past. Berkeley: University of California Press. Gazzaniga, M. S. 2002. The split brain revisited. Scientific American, 12, 26-31. Geissmann, T. 2000. Gibbon songs and human music from an evolutionary perspective. In Wallin, Merker, & Brown, 2000. George, N. 1989. The death of rhythm & blues. London: Omnibus Press. Gershwin, I. 1973. Lyrics on several occasions. New York: Viking. Gladwell, M. 2005. Blink: The power of thinking without thinking. New York: Little, Brown. Goddard, M. R., Godfray, H. C. J., & Burt, A. 2005. Sex increases the efficacy of natural selection in experimental yeast populations. Nature, 434, 636-640. Godfrey, R. R., & Natalicio, L. F. S. 1970. Evaluation on semantic differential equals abstraction plus error. Psychological Reports, 27, 467-473. Goldstein, J. 2004. How to be your own booking agent and save thousands of dollars: The musician's & performing Artist's guide to successful touring. Charlottesville, VA: New Music Times. Goleman, D. 1995. Emotional intelligence. New York: Bantam. Goren-Inbar, N, Alperson, N., Kislev, M. E., Simchoni, O., Melamed, Y., Ben-Nun, A., & Werker, E. 2004. Hominin control of fire at Gesher Benot Ya'agov, Israel. Science, 304, 725-727. Gottlieb, R., & Kimball, R. 2000. Reading lyrics. New York: Random House. Gougoux, F., Lepore, F., Lassonde, M., Voss, P., Zatorre, R. J., & Belin, P. 2004. Neuropsychology: Pitch discrimination in the early blind. Nature, 430, 309. Gould, S. J. 1977. Ever since Darwin: Reflections in natural history. New York: Norton. Gould, S. J. 1987. Time's arrow, time's cycle: Myth and metaphor in the discovery of geological time. Cambridge, Mass.: Harvard University Press. Gould, S. J. 1993. Eight little piggies: Reflections in natural history. New York: Norton. Gould, S. J., & Eldredge, N. 1977. Punctuated equilibria: The tempo and mode of evolution reconsidered. Paleobiology, 3, 115-151. Graser, M. 2005. McDonald's buying way into hip-hop song lyrics. Advertising Age, March 23. Green, J. 2002. The Green book of songs by subject: The thematic guide to popular music. 5th ed. Nashville: Professional Desk Publishers. Green, S. 1963. The Rodgers and Hammerstein story. New York: John Day. Griffin, E. 1991. A first look at communication theory. New York: McGraw-Hill. Groh, J. M., & Gazzaniga, M. S. 2003. How the brain keeps time. Daedalus, 132, 56-61. Guralnick, P. 1994. Last train to Memphis: The rise of Elvis Presley. New York: Little, Brown. Guralnick, P. 2000. Careless love: The unmaking of Elvis Presley. New York: Little, Brown. Guralnick, P., George-Warren, H., Santelli, R., & Farley, C. J. (Eds.) 2003. Martin Scorsese presents the blues: A musical journey. New York: HarperCollins/Amistad. Guthrie, W. 1943. Bound for glory. New York: E. P. Dutton & Co. Hagen, E. H., & Bryant, G. A. 2003. Music and dance as a coalition signaling system. Human Nature, 14, 21-51. Haile-Selassie, Y., Suwa, G., & White, T. D. 2004. Late miocene teeth from Middle Awash, Ethiopia, and early hominid dental evolution. Science, 303, 1503-1505. Hale, C. 1999. Sin and syntax: How to craft wickedly effective prose. New York: Broadway Books. Hamer, D. 2004. The God gene: How faith is hardwired into our genes. New York: Doubleday. Hamilton, W. D. 1996. Narrow roads of gene land: The collected papers of W. D. Hamilton, Vol. 1: Evolution of social behavior. New York: Oxford University Press. Hamilton, W. D. 2002. Narrow roads of gene land: The collected papers of W. D. Hamilton, Vol. 2: Evolution of sex. New York: Oxford University Press. Hammond, J. 1977. John Hammond on record. New York: Penguin. Hanley, F., & May, T. (Eds.) 1989. Rhythms of the world. London: BBC Books. Hare, R. D. 1993. Without conscience: The disturbing world of the psychopaths among us. New York: Pocket Books. Harris, J. R. 1998. The nurture assumption: Why children turn out the way they do. New York: Free Press. Harris, M. W. 1992. The rise of gospel blues: The music of Thomas Andrew Dorsey in the urban church. New York: Oxford University Press. Harris, R. 1991. What to listen for in Mozart. Toronto: Macfarlane Walter & Ross. Hart, M., & Kostyal, K. M. (Ed.) 2003. Songcatchers: In search of the world's music. Washington, D. C.: National Geographic. Harvey, K. 2003a. Kindling passion. Research Intelligence, 17, 2. Harvey, K. 2003b. The ultimate brain teaser. Research Intelligence, 17, 3. Haskins, J. 1991. Ella Fitzgerald: A life through jazz. London: New English Library. Hauser, L. 1995. Doing without mentalese. Behavior and philosophy, 23, 42-47. Hauser, M. D. 2000. The sound and the fury: Primate vocalizations as reflections of emotion and thought. In Wallin, Merker, & Brown, 2000. Hauser, M. D. 2005. Our chimpanzee mind. Nature, 437, 60-63. Hauser, M. D., & McDermott, J. 2003. The evolution of the music faculty: A comparative perspective. Nature Neuroscience, 6, 663-668. Hayakawa, S. I., & Ehrilich, E. 1994. Choose the right word: A contemporary guide to selecting the right word for every situation. New York: HarperPerennial. Hayakawa, T., Angata, T., Lewis, A. L., Mikkelsen, T. S., Varki, N. M., & Varki, A. 2005. A human-specific gene in microglia. Science, 309, 1693. Hebb, D. O., 1946. On the nature of fear. Psychological Review, 53, 259-276. Hedstrom, P. 2006. Experimental macro sociology: Predicting the next best seller. Science, 311, 786-787. Hedtke, J. V., & Bradley, S. 2000. MP3 for musicians: Promote your music career online. Denver: Top Floor Publishing. Heilbut, T. 1971. The gospel sound: Good news and bad times. New York: Simon & Schuster. Heise, D. R. 1992. Affect control theory and impression formation. In E. Borgatta & M. Borgatta (Eds.). Encyclopedia of Sociology, Vol. 1. New York: Macmillan. Heise, D. R., & Calhan, C. 1995. Emotion norms in interpersonal events. Social Psychology Quarterly, 58, 223-240. Hemming, R. 1986. The melody lingers on: The great songwriters and their movie musicals. New York: Newmarket Press. Henshilwood, C., d'Errico, F., Vanhaeren, M., van Niekerk, K., & Jacobs, Z. 2004. Middle stone age shell beads from South Africa. Science, 304, 404. Hepola, S. 2004. Why 'Idol' is always oldies night. New York Times, May 23. Hillman, J. 1960. Emotion. London: Routledge & Kegan Paul. Hindemith, P. 1939. The craft of musical composition, book II: Exercises in two-part writing. London: Schott. Hindemith, P. 1942. The craft of musical composition, book I: Theoretical part. 4th ed. London: Schott. Hindemith, P. 1961. A composer's world. New York: Anchor Books. Ho, Y. C., Cheung, M. C., & Chan, A. S. 2003. Music training improves verbal but not visual memory: Cross-sectional and longitudinal explorattions in children. Neuropsychology, 17, 439-450. Hoffman, F., & Gracyk, T. 2000. Popular American recording pioneers: 1895 - 1925. Binghamton, N. Y.: Haworth Press. Hollis, J. M., Jewell, P. R., Lovas, F. J., & Remijan, A. 2004. Green Bank Telescope observations of interstellar glycoaldehyde: Low-temperature sugar. The Astrophysical Journal, 613, L45-L48. Holt, J. 2005. Unintelligent design. New York Times Magazine, February 20. Holy, T., & Guo, Z. 2005. Ultrasonic songs of male mice. PLoS Biology, 3, e386. Hooper, D., & Kennedy, L. 2003. How I make $100,000 a year in the music business (without a record label, manager, or booking agent). Nashville: Kathode Ray Music. Hotz, R. L. 2005. Deep, dark secrets of his and her brains. Los Angeles Times, June 16. Howard, G. 2004. Getting signed! An insider's guide to the record industry. Boston: Berklee Press. Howard, J. T., Taylor, D., Lev, R., Commins, D. B., Sharp, W., & Foster, S. C. 1946. A treasury of Stephen Foster. New York: Random House. Humphrey, N. 1986. The inner eye. London: Faber and Faber. Huron, D. 2003. Is music an evolutionary adaptation? In Peretz & Zatorre, 2003. Hurst, J. 1975. Nashville's Grand Ole Opry. New York: Harry N. Abrams. Imberty, M. 2000. The question of innate competencies in musical communication. In Wallin, Merker, & Brown, 2000. Ingram, J. 2003. The velocity of honey and more science of everyday life. Toronto: Viking. Ising, H., Hanel, J., Pilgramm, M., Babisch, W., & Lindthammer, A. 1994. Risk of hearing loss caused by listening to music with head phones. HNO, 42, 764-768. Jackendoff, R. 1994. Patterns in the mind: Language and human nature. New York: Basic Books. Jackendoff, R. 2002. Foundations of language: Brain, meaning, grammar, evolution. Oxford: Oxford University Press. Jacobs, D., & Jacobs, A. 1994. Who wrote that song? 2nd ed. Cincinnati: Writer's Digest Books. Janata, P., Birk, J. L., Van Horn, J. D., Leman, M., Tillmann, B., & Bharucha, J. J. 2002. The cortical topography of tonal structures underlying Western music. Science, 298, 2167-2170. Janata, P., & Grafton, S. T. 2003. Swinging in the brain: Shared neural substrates for behaviors related to sequencing and music. Nature Neuroscience, 6, 682-687. Jerison, H. 2000. Paleoneurology and the biology of music. In Wallin, Merker, & Brown, 2000. Jerome, J. 1979. The poet and the poem. Cincinnati: Writer's Digest Books. Johnson, S. 2004. Mind wide open: Your brain and the neuroscience of everyday life. New York: Scribner. Joliveau, E., Smith, J., & Wolfe, J. 2004. Tuning of vocal tract resonance by sopranos. Nature, 427, 116. Jones, S., & Vincent, D. 2002. Ideas: Infinite possibilites. Canadian Broadcasting Corporation, January 28. Josefs, J. 1996. Writing music for hit songs. New York: Schirmer. Jourdain, R. 1997. Music, the brain, and ecstasy: How music captures our imagination. New York: Quill/HarperCollins. Juslin, P. N. 2001. Communicating emotion in music performance: A review and theoretical framework. In Juslin & Sloboda, 2001. Juslin, P. N., & Sloboda, J. A. 2001. Music and emotion: Theory and research. Oxford: Oxford University Press. Kagan, J. 1971. Change and continuity in infancy. New York: Wiley. Kaku, M. 2004. Parallel worlds: A journey through creation, higher dimensions, and the future of the cosmos. New York: Doubleday. Kalmar, V. 2002. Label launch: A guide to independent record recording, promotion, and distribution. New York: St. Martin's Griffin. Kaminski, J., Call, J., & Fischer, J. 2004. Word learning in a domestic dog: Evidence for "fast mapping." Science, 304, 1682-1683. Kanazawa, S. 2003. Why productivity fades with age: The crime-genius connection. Journal of Research in Personality, 37, 257-272. Kaplan, F. 2004. D. I. Y. meets N. R. L. (no record label). New York Times, July 4. Kasha, A., & Hirschhorn, J. 1979. If they ask you, you can write a song. New York: Simon & Schuster. Kennedy, J. M. 2002. Optics and haptics: The picture. Paper presented at the conference on Multimodality of Human Communication: Theory, Problems, and Applications. University of Toronto, May 3-5. Kenward, B., Weir, A. A. S., Rutz, C., & Kacelnik, A. 2005. Behavioural ecology: Tool manufacture by naive juvenile crows. Nature, 433, 121. Kerst, K., & Krehbiel, H. E. 1965. Mozart: The man and the artist revealed in his own words. New York: Dover. Kidder, L. H. 1981. Research methods in social relations. New York: Holt, Rinehart & Winston. Kipfer, B. A., & Chapman, R. L. (Eds.) 2001. Roget’s international thesaurus. 6th ed. New York: HarperCollins. Kohler, W. 1929/1992. Gestalt psychology: An introduction to new concepts in modern psychology. Reissue ed. New York: Liveright. Kohn, A., & Kohn, B. 2002. Kohn on music licensing. 3rd ed. New York: Aspen Publishers. Komorita, S. S., & Bass, A. R. 1967. Attitude differentiation and evaluative scales of the semantic differential. Journal of Personality and Social Psychology, 6, 241-244. 0 Krasilovsky, W., Schmel, S., & Gross, J. M. 2003. This business of music: The definitive guide to the music industry. 9th ed. New York: Billboard Books. Krims, A. 2000. Rap music and the poetics of identity. Cambridge: Cambridge University Press. Kuhn, D. 2002. The effects of active and passive participation in musical activity on the immune system as measured by salivary immunoglobulin A (SigA). Journal of Music Therapy, 39, 30-39. Kunej, D, & Turk, I. 2000. New perspectives on the beginnings of music: Archeological and musicological analysis of a middle paleolithic bone "flute." In Wallin, Merker, & Brown, 2000. Lai, C. S. L., Fisher, S. E., Hurst, J. A., Vargha-Khadem, F., & Monaco, A. P. 2001. A forkhead-domain gene is mutated in a severe speech and language disorder. Nature, 413, 519-523. Laing, D. 2003. Copyright. In Shepherd, Horn, Laing, Oliver, & Wicke, Vol. 1, 2003. Laporte, M. A. 2004. Language vs. thought: And the Oscar goes to ... Journal of Language and Linguistics, 3, 140-145. Larkin, C. (Ed.) 2002. The Virgin illustrated encyclopedia of rock. London: Virgin Books. Lathrop, T. 2003. This business of music marketing & promotion. Revised & updated ed. New York: Billboard Books. Lawson, E. D. 1971. Semantic differential analysis of men's first names. Journal of Psychology, 78, 228-240. LeDoux, J. E. 2002. Emotion, memory, and the brain. Scientific American, 12, 62-71. Lee, E. 1970. Music of the people: A study of popular music in Great Britain. London: Barrie & Jenkins. Lee, W. F. 1988. Music theory dictionary: The language of the mechanics of music. Miami Beach: Hansen House. Leeds, J. 2004. Labels spin old tune—cash—into more airplay. Los Angeles Times, June 10. Leikin, M. 2003. How to be a hit songwriter: Polishing and marketing your lyrics and music. 3rd ed. Milwaukee: Hal Leonard. Lerdahl, F. 2003. The sounds of poetry viewed as music. In Peretz & Zatorre, 2003. Lerdahl, F., & Jackendoff, R. 1983. A generative theory of tonal music. Cambridge, Mass.: MIT Press. Lerner, A. J. 1978. The street where I live. London: Hodder & Stoughton. Lessig, L. 2004. Free culture: How big media uses technology and the law to lock down culture and control creativity. New York: Penguin Press. Levermann, N., Galatius, A., Ehlme, G., Rysgaard, S., & Born, E. W. 2003. Feeding behavior of free-ranging walruses with notes on apparent dextrality of flipper use. BMC Ecology, 3, 9. Levin, D.T., Simons, D.J., Angelone, B.L., & Chabris, C.F. 2002. Memory for centrally attended changing objects in an incidental real-world change detection paradigm. British Journal of Psychology, 93, 289-302. Levine, M. 2003. Guerrilla pr wired : Waging a successful publicity campaign online, offline, and everywhere in between. New York: McGraw-Hill. Light, A. (Ed.) 1999. The Vibe history of hip-hop. New York: Three Rivers Press. Lim, M. M., Wang, Z., Olazabal, D. E., Ren, X., Terwilliger, E. F., & Young, L. J. 2004. Enhanced partner preference in a promiscuous species by manipulating the expression of a single gene. Nature, 429, 754-757. Litweiler, J. 1984. The freedom pinciple: Jazz after 1958. New York: Da Capo Press. Lohr, S. 2003. In the age of the Internet, whatever will be will be free. New York Times, September 14. Lovelock, W. 1970. Melody writing. Melbourne: Allans Music Australia. Luboff, N., & Stracke, W. 1965. Songs of man: The international book of folk songs. Englewood Cliffs, N. J.: Prentice-Hall. Lumsden, C. J., & Wilson, E. O. 1983. Promethean fire: Reflections on the origin of mind. Cambridge, Mass.: Harvard University Press. MacKinnon, N., & Keating, L. 1989. The structure of emotion: A review of the problem and a cross-cultural analysis. Social Psychology Quarterly, 1989, 52, 70-83. Mahar, W. 2003. Minstrel troupes. In Shepherd, Horn, Laing, Oliver, & Wicke, Vol. 2, 2003, pp. 45-47. Maitland, J. 2002. How to have a no. 1 hit single (and what to do if you don't). London: Simon & Schuster. Marazziti, D., Akiskal, H. S., Rossi, A., & Cassano, G. B. 1999. Alteration of the platelet serotonin transporter in romantic love. Psychological Medicine, 29, 741-745. Marino, L, McShea, D. W., & Uhen, M. D. 2004. Origin and evolution of large brains in toothed whales. Anatomical Record, 281, 1247–1255. Marler, P. 2000. Origins of music and speech: Insights from animals. In Wallin, Merker, & Brown, 2000. Martin, G. (Ed.) 1983. Making music: The guide to writing, performing, & recording. London: Pan Books. Martin, P. 2003. Improvisation. In Shepherd, Horn, Laing, Oliver, & Wicke, Vol. 2, 2003, pp. 139-143. Mathieu, W. A. 1997. Harmonic experience: Tonal harmony from its natural origins to its modern expression. Rochester, VT: Inner Traditions. Maus, F. E. 2003. Transposition. In Shepherd, Horn, Laing, Oliver, & Wicke, Vol. 2, 2003, p. 559. Mayr, E. 1982. The growth of biological thought: Diversity, evolution, and inheritance. Cambridge, Mass.: Belknap/Harvard University Press. Mayr, E. 1988. Toward a new philosophy of biology: Observations of an evolutionist. Cambridge, Mass.: Belknap/Harvard University Press. McArthur, T. (Ed.) 1992. The Oxford companion to the English language. Oxford: Oxford University Press. McCartney, P., Harrison, G., Starr, R., & Lennon, J. 2000. The Beatles anthology. San Francisco: Chronicle Books. McClure, S. M., Li, J., Tomlin, D., Cypert, K. S., Montague, L. M., & Montague, P. R. 2004. Neural correlates of behavioral preference for culturally familiar drinks. Neuron, 44, 379-387. McCrum, R., Cran, W., & MacNeil, R. 1986. The story of English. New York: Viking. McDermott, J., & Hauser, M. 2004 Are consonant intervals music to their ears? Spontaneous acoustic preferences in a nonhuman primate. Cognition. DOI: 10.1016/j. cognition.2004.04.004. McDougall, I., Brown, F. H., & Feagle, J. G. 2005. Stratigraphic placement and age of modern humans from Kibish, Ethiopia. Nature, 433, 733-736. McGaugh, J. L. 2003. Memory and emotion: The making of lasting memories. London: Weidenfeld & Nicolson. McGlone, M.S., & Tofighbakhsh, J. 2000. Birds of a feather flock conjointly (?): Rhyme as reason in aphorisms. Psychological Science, 11, 424 - 428. Mekel-Bobrov, N., Gilbert, S. L., Evans, P. D., Vallender, E. J., Anderson, J. R., Hudson, R. R., Tishkoff, S. A., & Lahn, B. T. 2005. Ongoing adaptive evolution of ASPN, a brain size determinant in Homo sapiens. Science, 309, 1720-1722. Merker, B. 2000. Synchronous chorusing and human origins. In Wallin, Merker, & Brown, 2000. Meyer, L. B. 1956. Emotion and meaning in music. Chicago: University of Chicago Press. Meyer, L. B. 1973. Explaining music: Essays and explorations. Berkeley: University of California Press. Miall, D. S., & Dissanayake, E. 2003. The poetics of baby talk. Human Nature, 14, 337-364. Miele, F., & Dawkins, R. 1995. Darwin's dangerous disciple: An interview with Richard Dawkins. Skeptic, 3, 80-85. Milgram, S. 1974. Obedience to authority: An experimental view. New York: Harper & Row. Miller, E. G., & Kahn, B. E. 2005. Shades of meaning: The effect of color and flavor names on consumer choice. Journal of Consumer Research, 32, 86-92. Miller, G. F. 2000. Evolution of human music through sexual selection. In Wallin, Merker, & Brown, 2000. Miller, G. F. 2001. The mating mind: How sexual choice shaped the evolution of human nature. New York: Anchor. Miller, G. A. 1956. The magical number seven, plus or minus two: Some limits on our capacity for processing information. Psychological Review, 63, 81-97. Miller S. L. 1953. A production of amino acids under possible primitive earth conditions. Science, 117, 528-529. Mitchell, K. 2003. Hip-hop rhyming dictionary. Van Nuys, Calif.: Alfred Publishing Co. Mitchell, N., Hodges, D, Cross, I., & Lamont, A. 2002. Music on your mind. Australian Broadcasting Corporation, August 11. Mithen, S. 2005. The singing Neanderthals: The origins of music, language, mind and body. London: Orion. Molino, J. 2000. Toward an evolutionary theory of music and language. In Wallin, Merker, & Brown, 2000. Morris, R. O. 1935. The structure of music. London: Oxford University Press. Mulholland, G. 2002. This is uncool: The 500 greatest singles since punk and disco. London: Cassell Illustrated. Murrock, C. J. 2002. The effects of music on the rate of perceived exertion and general mood among coronary artery bypass graft patients enrolled in cardiac rehabilitation phase II. Rehabilitation Nursing, 27, 227-231. Nadel, I. 1996. Various positions: A life of Leonard Cohen. New York: Random House. Nantais, K. M., & Schellenberg, E. G. 1999. The Mozart effect.: An artifact of preference. Psychological Science, 10, 370-373. Nathanson, C., Paulhus, D. L., & Williams, K. M. 2005. Predictors of a behavioral measure of scholastic cheating: Personality and competence but not demographics. Contemporary Educational Psychology, in press. Nawrot, E. S. 2003. The perception of emotional expression in music: Evidence from infants, children, and adults. Psychology of Music, 31, 75-92. Nedelcu, A. M., Marcu, O., & Michod, R. E. 2004. Sex as a response to oxidative stress: A twofold increase in cellular reactive oxygen species activates sex. Proceedings of the Royal Society Biological Sciences, DOI: 10.1098/rspb.2004.2747. Nestler, E. J. 1992. Molecular mechanisms of drug addiction. Journal of neuroscience, 12, 2439-2450. Nettl, B. 2000. An ethnomusicologist contemplates universals in musical sound and musical culture. In Wallin, Merker, & Brown, 2000. Newman, W. S. 1961. Understanding music. 2nd ed. New York: Harper & Row. Nisenson, E. 1997. Blue: The murder of jazz. New York: Da Capo Press. Norman, D. A. 1998. The invisible computer: Why good products can fail, the personal computer is so complex, and information appliances are the solution. Cambridge, Mass.: MIT Press. North, A. C., Shilcock, A., & Hargreaves, D. J. 2003. The effect of musical style on restaurant customers' spending. Environment and Behavior, 35, 712-718. Oberholzer, B., & Strumpf, K. 2004. The effect of file sharing on record sales: An empirical analysis. Report published by Harvard Business School and University of North Carolina, March. O'Connor, N. 1991. Bringing it all back home: The influence of Irish music. London: BBC Books. Okun, M. (Ed.) 1981a. The compleat Beatles, Vol. 1. New York: Delilah/Bantam. Okun, M. (Ed.) 1981b. The compleat Beatles, Vol. 2. New York: Delilah/Bantam. Osgood, C. E. 1964. Semantic differential techniques in the comparative study of cultures. American Anthropologist, 66, 171-200. Osgood, C. E., May, W. H., & Miron, M. S. 1975. Cross-cultural universals of affective meaning. Urbana: University of Illinois Press, 1975. Osgood, C. E., Suci, G. J., & Tannenbaum, P. H. 1957. The measurement of meaning. Urbana: University of Illinois Press. Oskamp, S. 1977. Attitudes and opinions. Englewood Cliffs, NJ: Prentice-Hall. Palmer, T. 1976. All you need is love: The story of popular music. New York: Penguin. Pantev, C, Oostenveld, R., Engelien, A., Ross, B., Roberts, L. E., & Hoke, M. 1998. Increased auditory cortical representation in musicians. Nature, 392, 811-814. Parsons, L. M. 2003. Exploring the functional neuroanatomy of music performance, perception, and comprehension. In Peretz & Zatorre, 2003. Pascual-Leone, A. 2003. The brain that makes music and is changed by it. In Peretz & Zatorre, 2003. Passman, D. S. 2003. All you need to know about the music business. 5th ed. New York: Free Press. Patel, A. D. 2003. A new approach to the cognitive neuroscience of melody. In Peretz & Zatorre, 2003. Patel, A. D. 2003. Language, music, syntax and the brain. Nature Neuroscience. 6, 674-681. Paul, P. 2005. The power to uplift. Time, January 17. Peretz, I. 2001. Listen to the brain: A biological perspective on musical emotions. In Juslin & Sloboda, 2001. Peretz, I. 2003. Brain specialization for music: New evidence from congenital amusias. In Peretz & Zatorre, 2003. Peretz, I., & Coltheart, M. 2003. Modularity of music processing. Nature Neuroscience, 6, 688-691. Peretz, I., & Zatorre, R. (Eds.) 2003. The cognitive neuroscience of music. Oxford: Oxford University Press. Perricone, J. 2000. Melody in songwriting: Tools and techniques for writing hit songs. Boston: Berklee Press. Perry, R. J., & Miller, B. L. 2001. Behavior and treatment in frontotemporal dementia. Neurology, 56, 46-51. Persson, R. S. 2001. The subjective world of the performer. In Juslin & Sloboda, 2001. Phillips-Silver, J., & Trainor, L. J. 2005. Feeling the beat: Movement influences infant rhythm perception. Science, 308, 1430. Piaget, J. 1952. (Cook, M., trans.) The origins of intelligence in children. Madison, Conn.: International Universities Press. Picard, R. 1997. Affective computing. Cambridge, Mass.: MIT Press. Pierce, J. R. 1999. The nature of musical sound. In Deutsch, 1999. Pinker, S. 1994. The language instinct: How the mind creates language. New York: HarperCollins. Pinker, S. 1997. How the mind works. New York: Norton. Pinker, S. 1999. Words and rules: The ingredients of language. New York: Basic Books. Pinker, S. 2001. Talk of genetics and vice versa. Nature, 413, 465-466. Pinker, S. 2002. The blank slate: The modern denial of human nature. New York: Penguin. Pinker, S., & Bloom, P. 1990. Natural language and natural selection. Behavioral and Brain Sciences, 13, 707-784. Pinker, Susan. 2003. Beyond the Mozart effect. The Globe and Mail, September 27. Piston, W. 1947. Counterpoint. New York: Norton. Piston, W., & DeVoto, M. 1941/1987. Harmony. 5th ed. New York: Norton. Plutchik, R. 1980. Emotion: A psychoevolutionary synthesis. New York: Harper & Row. Poole, R. 2003. The sincerest form of flattery. National Post, July 9. Postman, N. 1985. Amusing ourselves to death: Public discourse in the age of show business. New York: Penguin. Prothero, D. R. 1992. Punctuated equilibrium at twenty: A paleontological perspective. Skeptic, 1, 38-47. Ramachandran, V. S. 2004. A brief tour of human consciousness: From impostor poodles to purple numbers. New York: Pi Press. Randel, D. L. (Ed.) 1986. The new Harvard dictionary of music. Cambridge, Mass.: Belknap/Harvard University Press. Ratner, C. 1989. A social constructionist critique of naturalistic theories of emotion. Journal of Mind and Behavior, 10, 211-230. Rauschecker, J. P. 2003. Functional organization and the plasticity of auditory cortex. In Peretz & Zatorre, 2003. Reck, D. 1977. Music of the whole earth. New York: Charles Scribner's Sons. Reed, H. O., & Sidnell, R. G. 1978. The materials of music composition, book I: Fundamentals. Reading, Mass.: Addison-Wesley. Reed, H. O., & Sidnell, R. G. 1980. The materials of music composition, book II: Exploring the parameters. Reading, Mass.: Addison-Wesley. Richman, B. 2000. How music fixed "nonsense" into significant formulas: On rhythm, repetition, and meaning. In Wallin, Merker, & Brown, 2000. Ricigliano, D. A. 1978. Melody and harmony in contemporary songwriting. New York: Donato Music Publishing. Riebe, M., Haffner, H., Roos, C. F., Hansel, W., Benhelm, J., Lancaster, G. P. T., Korber, T. W., Becher, C., Schmidt-Kaler, F., James, D. F. V., & Blatt, R. 2004. Deterministic quantum teleportation with atoms. Nature, 429, 734-737. Roney, J. R., Mahler, S. V., & Maestripieri, D. 2003. Behavioral and hormonal responses of men to brief interactions with women. Evolution and Human Behavior, 24, 365-375. Rooney, J. 1971. Bossmen: Bill Monroe & Muddy Waters. New York: Dial Press. Rosenbluth, V. 198 |
